Tag Archives: Slice of Life

Gochuumon wa Usagi Desu ka?? Review

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With the advent of the constant bashing of many anime fans being distraught by the amount of moe-blob anime taking over the majority of the seasons since 2009, it’s telling that the genre has long overstayed its welcome. I’m one of those who do not pay attention to the trends going on and approach something with an open mind, no matter what tag the anime falls under. There is always this sense of surprise still lurking in every genre. Of the moe-blob anime that has been on my radar for a while was Gochuumon wa Usagi desu ka.

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Oregairu Season 2 Review

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Delicate friendships grow gradually over time when you first meet people with who you may or may not get along. That is the case for the characters that inhabit Oregairu, or SNAFU. Dysfunctional and down-to-earth in their inner characterization, it’s an anime about as slice of life as one can get. With its stunning debut exceeding expectations for many people, me included, it was evident that we needed to see what was next in our journey through complicated, awkward friendships. I don’t think anyone was expecting something this compelling for a sequel.

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Barakamon Review

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Never has there been as many instances where an anime successfully showed nostalgic sentimentality with regards to making us feel homely inside. This once in a blue moon example of nostalgia shows some of the strangest goofy humor that wouldn’t usually be in a show like Barakamon. Like all surprising gems, what Barakamon does is not merely retread the slice of life with a different style to make it seem different; instead, it breathes all new life with that different style and makes it its own unique identity.

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Solanin Review

Solanin-by-Inio-Asano

Under the guise of postmodern human life lays an undisputed mystery, searching for a straight answer to living a good life. This mystery would be the purpose one has to endure to escape adolescent life and try to cultivate under harsh conditions of the financial needs of surviving in the adult world. Do I stick with the status quo and live a stable life with hardly any trouble despite the boredom that goes with it? Or try to luck out by giving a big middle finger to it and indulge me in a lifestyle that will practically make life difficult but will make my experiences more interesting? Welcome to the stage of young adulthood.

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Non Non Biyori Review

Who are we to decide that Slice of Life is a genre filled with the same shows? Isn’t there a batch of examples that still have those same aspects of Slice of Life and even create a fresh atmosphere and aura to its world and characters? The answer is quite simple: yes. There are still slice-of-life anime that provide more than just cute girls doing cute things, though there’s nothing inherently wrong with it. Non Non Biyori is one such show that fits the category perfectly as an instant slice of life classic.

One phrase that perfectly summarizes the show would be a breath of fresh air. I mean that too. If there is one thing that distinguishes Non Non Biyori from most shows, it is the pleasant atmosphere that engulfs the world of the show. From its character interactions being so grounded in a real-life, down-to-earth manner that makes it more memorable and authentic to the environment to the subtle hints of its artistry in the backgrounds and characters. The plot detailing the issues of differentiating city life from the rural countryside areas of society doesn’t necessarily paint a whole demonstrated structure of how the story goes. But if you look at it further down the road, that isn’t necessary for this show. It just lets the plot speak for itself through regular dialogue rather than pointless exposition to explain anything since there’s hardly anything to tell in the first place. Sure, that might capsulize the slice of life genre, but Non Non Biyori is probably one of the few who does it better than the vast majority.

What little plot that Non Non Biyori showcases make up for the excellent colorful cast of characters that make the show worthwhile to watch all the way through. Every girl has a unique personality that distinguishes them from the rest in terms of the writers’ build-up to their sense of humor in the comedy. They aren’t just this mesh of girls with personalities A, B, or C. The difference in character makes them feel like real human beings that anybody can relate to, whether from their disposition or typical actions. Renge, for instance, is the youngest of the bunch, and you’d think that they’d make her into this young girl who acts older than her elementary age, but it is, in fact, quite the opposite to this general aspect; at least in most cases to be specific. Her kindergarten mind ranges from being cute and curious that, in some cases, it can be construed to how come kids at her age act in a civil manner.

The art is pretty breathtaking, considering how minimal the scope is to the show. It greatly enhances the atmosphere in its relaxed tone and inflection from how the characters look crisp and clear from the actual colors and designs. The backgrounds especially give a wide range of detail to perfecting this countryside town, giving its structure more creativity and care to design how the characters live through their day-to-day lives.

What’s unique about the comedy itself is how the timing is so minimal and slow that it quickly makes the scenes more memorable just from the silence and pauses that last up to even about ten seconds. Again, the atmospheres help the show’s credit with this. The environment is so chill and down-to-earth that the jokes fit the anime perfectly, even with its mild attempts at being wacky in a typical moe comedy. That at least is always welcomed, thanks to the hilarious antics of Renge and Natsumi, whose air-headed ways still tickle the moe-bone whenever her actions are on-screen.

Casting couldn’t have been better to give these characters the voices that fit them very well. Highlights include Kana Asumi with her very distinct, sarcastic voice that matches Komari’s senpai attitude that all the other girls look up to her. Ayane Sakura has made a name for herself in the seiyuu community by gracing her beautiful voice to the public, and she has done it with Natsumi, a role that she was born to play. However, it would be interesting to hear someone like Yui Ogura play her.

For what it is, Non Non Biyori might be a big surprise for anyone who might be getting a little tired of the Slice of Life genre dominating the majority of the seasons lately. I am one of these people. Though I don’t necessarily have any contempt or hatred for all of the shows like this, Non Non Biyori is a clear sign that the genre has a lot of things going for it and reminds us why it’s still considered a favorite genre for so many people. The show perfectly captures what it was like to be a middle school kid. It does want us to remember what it was like being at that age filled with mystery and friends, or lack thereof. Most slices of life fail to capture this essence, but we finally have one, and its name is Non Non Biyori.

Grade: A-